

Adaku’s Uche Experience 2.0: Lagos and Accra Stage a Culinary Dialogue in Zürich
Adaku. In Igbo, it means “first daughter.” In Zürich this week, it means something else too: a gathering, an experiment, a pop-up that insists food is never just food. When Naomi Adaku Biaduo said the word to me, it felt less like a brand than a confession — rushed but intentional, unprepared yet honest.
Adaku is her second name, but also her claim: the first-born of a vision years in the making. From a sold-out cookbook in 2017, co-created w/chefs across West Africa, to Uch
Tallulah Patricia B
7 days ago6 min read


The Science of Artistry: Thabiso and the Living Legacy of Botaki Factory
Thabiso’s work is not just art — it is lineage, memory, and the future of Zurich’s cultural fabric. His grandmother’s painted walls carried the geometry Europe later claimed as “modernism.” His canvases today carry those invisible legacies forward, while Botaki Factory, housed in a UBS building at Albisriederplatz, transforms unutilised space into a living gallery month after month.
Tallulah Patricia B
Aug 296 min read


From Howard Halls to VOLTA Walls: Quilting Diaspora, Painting Legacy
Charles-Philippe Jean-Pierre brings memory, soft power, and presence to Basel Captured Zeitgeist by Tallulah Patricia Bär What makes one...
Tallulah Patricia B
Jun 234 min read


Untitled Might Be the Most Honest Label of All: A Heart-to-Heart with Ghada Kunash on Seeing Art Before Origin
In a global art economy defined by metadata—artist bios, national origin, trauma narratives, funding brackets—what happens when someone proposes stripping all of that away?
Tallulah Patricia B
Jun 234 min read